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Nazarloo, Saber Atash; Navidinia, Hossein

Intersemiotic translations of Rubaiyat of Omar Khayyam by Iranian and Thai illustrators: a comparative study. Saber Atash Nazarloo, Hossein Navidinia.
Asia Pacific Translation and Intercultural Studies, 5 (2018) 1, p.p. 72-81.

One way of transferring the culture and identity of a nation is through book illustrations as a kind of intersemiotic translation. Omar Khayyam is an Iranian poet whose fame, thanks to FitzGerald, is now worldwide. Khayyam’s works have been translated to many languages and even some illustrators have tried to transform Khayyam’s quatrains into illustrations. Transferring textual materials into signs of non-verbal system is called intesemiotic translation. The aim of this paper is to analyze and compare samples of two successful illustrators, namely Muhammad Tajvidi, an Iranian illustrator who knows Persian, the language of Khayyam’s original works and Niroot Puttapipat, a Thai illustrator who does not know Persian, and therefore, the source of his illustrations is FitzGerald’s translations. Findings indicated that Puttapipat’s illustrations conveyed more cultural elements than Tajvidi’s, since the former is translated for a foreign audience.